In the opening moments of “The Chamber of Terror” we meet Nash Caruthers (McCarthy), a deep-voiced renegade. He’s sealing up a member of the Ackerman crime family alive in a coffin, making short grandiose statements about his personal revenge. The audience knows nothing about any of this and yet the movie continues to chug along. We flash forward a month later where Caruthers finds himself in the Ackerman family’s underground torture dungeon where revenge meets revenge, as well as the paranormal.
Any more info would ruin “The Chamber of Terror” even though I’ll admit the first 10 minutes of the film had me wondering if I had made a mistake hitting the play button, but thankfully this is all a part of writer/director Pereira’s plan. I would implore you not to turn it off even though that opening feels like a film school student who watched “Boondock Saints” way too much. Thank God I don’t rely on my gut instincts that much or else I would have missed out on the best low budget gorefest I’ve seen in years. And by low-budget, I mean that they probably spent the majority of their budget on every exploding head, blood geyser and chunky internal organs littered across this film.
As the movie progresses, the plot gets sillier and more intricate, with characters gradually breaking the fourth wall as if they realize they’re in some kind of film worthy of an 80s Saturday night on a UHF channel. Caruthers delivers most of the silliness, fighting back against his captors in bizarre ways and delivering phony lines that even Bruce Campbell would struggle saying with a straight face. It’s a difficult film to describe because its only inherent purpose is to introduce outlandish characters and watch them interact in a blood-soaked sandbox.
“WolfCop,” another Panic Fest film that has made the rounds for its comedic approach to insane ideas, is referenced early on in the film. If you’ve seen “WolfCop,” then you know what kind of film you’re in for and if not, don’t take your love of horror too seriously, or even “Chamber of Terror” for that matter. While “The Chamber of Terror” sounds like a bad haunted house attraction in a shopping mall, the film itself is a confidently directed horror comedy that gets more ridiculous and bloody as the film goes on. By the end, you hope that Caruthers winds up in another misadventure